Category Archives: Theatre

ESNPF Review: Short Plays Deliver a Uniquely Entertaining Evening

nto_extremelyshort_brochThe Extremely Short New Play festival defies its comically long title with singularly brief stagings; 10 plays each under 10 minutes in length.

Though some works are stronger than others the overall quality of plays, direction and acting guarantees an evening of diverse entertainment. The playwrights do themselves proud with an impressive array of compositions; stand-outs include Jessica Anderson’s “Terminal Journey“, Pierre Brault’s “Coach of the Year” and a gut-wrenchingly personal account of loss accompanied by innovative staging and technology in Tim Ginley’s “There’s More to the Picture“.

AndrewAlexanderPhoto - EricCraig (Gorilla-Top Job) Colleen Sutton (Tammy-Out of Gas)

Comedic Roles – Colleen Sutton in Out of Gas & Eric Craig in Top Job
Photo: Andrew Alexander

The smorgasbord of theatre – with only 2 or 3 pieces not fully to my taste – left us exhilarated by the ability of the 4 cast member to create such varied and memorable characters. Brian Stewart appears in a staggering 7 performances – managing, with seemingly chameleon-like ease, to keep his characters fresh. Stewart’s sensitive human portrayal of Caleb in Terminal Journey came right on the back of the challenging two-hander Seeing which demanded a broad range of conflicting emotions as an unhinged haunted Intelligence expert grapples with dark thoughts. Maureen Smith and Colleen Sutton transitioned smoothly into and away from the historical characters in Loyal Opposition. Smith toe-tapping impatience was irritatingly authentic followed by her tense unmoving delivery of measured restraint while Sutton’s strengths shone in dramatic roles.

Eric Craig taking to the Ottawa stage for the first time is one to watch; bringing undeniable presence and subtle nuances to his roles we consistently lost the actor finding only the character on stage. As a duty-bound ticket attendant, a grunting primate, a mullet-headed moron or haunted long-haul trucker Craig is in equal measure empathetic, eerie, funny and riveting.   

The balance of comedy to drama demanded some difficult shifts; in particular with the slapstick Denial sandwiched between the night’s two most emotionally-charged works. The comedic pieces at the end of each set however keep the tempo flowing and unite the room with laughter.

Finally, it’s hat’s off to director John Koensgen who sets a fine pace throughout the evening and creates the virtual “space” allowing each time-compressed work to truly shine, for 10 minutes, at the Arts Court theatre.  

E.S.N.P.F
31 October – 10 November (Tues-Sat 8pm)
Arts Court Theatre, 2 Daly Ave.

10-Minute Theatre @ the Extremely Short New Play Festival

Ever wondered what would happen if writers were asked to come up with gripping yet super-condescended 10-minute plays? Well you’d get the New Theatre of Ottawa‘s Extremely Short New Play Festival!   Starting Halloween night Ottawa’s closest thing to speed date theatre kicks off at Arts Court.

Eric Craig as Gorilla in Top Job & Colleen Sutton  as Tammy in Out of Gas Photo: Andrew Alexander

Eric Craig as Gorilla in Top Job & Colleen Sutton as Tammy in Out of Gas
Photo: Andrew Alexander

That’s right it’s 10 short sharp productions in this the 2nd Annual Extremely Short New Play Festival – a title so long they, thankfully, gave it an acronym E.S.N.P.F.

The festival offers up a varied canapé of productions inviting emerging and established playwrights to present brand new plays under 10-minutes in length.  The flow of the evening is a serving of 5-plays followed by a digestive intermission and a second-helping of the remaining 5 productions. It’s basically theatre tapas so there’s bound to be something to your taste. Curated by ESNPF judges John Koensgen, Mary Ellis and Robert Marinier the 10 selected plays are the winning submissions vetted earlier this year.

Come to the opening on Halloween night where organisers encourage dressing up as your favourite dead author and sticking around for the after theatre reception.

E.S.N.P.F
31 October – 10 November (Tues-Sat 8pm)
Arts Court Theatre, 2 Daly Ave.

Socialites & Psychological Twists in “Deadly Murder”

An edited version was published in Apt613.ca

Deadly Murder Marghetis Maria Vartanova

Connor Marghetis as Billy in Deadly Murder
Photo: Maria Vartanova

What’s in a name?  Not much or so says Shakespeare but as murder is in its essence deadly this name sticks for all the wrong reasons. Playwright David Foley weighed other monikers including the superior “If/Then”; alluding to the Cause and Effect theme running throughout the play.  One thing we can say for his chosen designation is that it fairly screams “Christie-sque Thriller” and, for all the right reasons, that is exactly what the evening delivers.

Set in the luxury apartment of a Manhattan socialite of “a certain age” Camille (Kim Strauss) this three-hander gets straight to business with Camille attempting to divest herself of one-night stand waiter Billy (Connor Marghetis) who, in turn, most ungallantly rejects this post-romp dismissal. Attempted offers of “cab-fare” escalate to sex tape blackmail and the summoning of security guard Ted (Tim Finnigan). Revealing himself as an accomplished hustler Billy soon has both Camille and Tim disarmed with a scenario shift from opportunistic burglary to pre-mediated shakedown. From this point hairpin twists come fast and furiously throughout the 2 Acts with murders, both real and imagined, moving the action along in thoroughly entertaining order through to the final curtain.

In the interest of full disclosure thrillers are not my predilection so the competence and enthusiasm the cast brought to the stage was a gratifying element of the evening. Marghetis is a charming and scheming interloper though a dollop of pure menace could only enhance his part.  Finnigan though capable at times struggles to characterise the full weighed of down-trodden desperation in the role of the indebted gambler security guard. Kim Strauss however is a stand-out as Camille embodying the quintessentially clever, slightly-jaded, socialite with energy, insights and timing as sharp as any hustlers.

Strauss & Finnigan Photo: Maria Vartanova

Strauss & Finnigan
Photo: Maria Vartanova

It was with trepidation transformed to admiration that we watched Strauss, without training or experience, take to the stage commanding the room with a highly believable personification of a rather multi-faceted Camille.  From the very outset while attempting to shift her unwanted lothario Strauss moved seamlessly from charmingly indulgent to confidently direct telling Billy to “suck it up and move on”.  On stage almost throughout and with the lion’s share of dialogue Strauss assuredly kept pace, drama and our avid attention.

The trio’s witty delivery and obvious synergies alongside Foley’s psychological contortions elevate the evening above whodunit plotlines to a fully-formed production that’s a pleasure to watch through to the clever if/then ending.

Deadly Murder at Ottawa Little Theatre until Nov 2, 2013

7:30pm (except Mondays)
Matinee October 27th, 2013
400 King Edward Ave. Ottawa, K1N 7M7

FreshMeat: Serving Bite-Sized Theatre with a Brew

This post was also published by Apt613.ca
Grab your drink and take your seats as FreshMeat2
 Theatre rolls in to town for not one but two consecutive weekends October 17-19 and 24-26!

FireFlood Theatre1The pop-up festival brings 14 top theatre companies together to showcase brand spanking new short and sharp edgy works in a single, comfortable and ‘serving’ venue. Keeping it fresh the 14 companies are split over two weekends – so it’s a completely new experience any time you drop in. The 7 companies selected per weekend (Thursday-Sunday nights) perform a total of 4 brief, 20-minute, pieces per night. The rotating schedule and time-restricted performances create concentrated bursts of creativity throughout the evening while comedy hosts keep the flavour fresh between troupes.

Local aficionados will recognise companies including: Prix Rideau Award nominees May Can Theatre, Future of the Fringe Award winners Backpack Theatre, and Dead Unicorn Ink returning from a sold-out Fringe run and subsequent re-staging of Chesterfield.

New companies include THUNK! Theatre creators of smash-hit Bread at this year’s Undercurrents,  Norah Paton, director of touring Fringe show Around Miss Julie and, 2 ½ Women the relentlessly funny trio from last year’s Crush Improv “Bout Time” tournaments host the second weekend as well as performing a twenty-minute set, with GRIMprov hosts of the first weekend.

Immerse yourself for the weekend or take a first theatre dip at a collaborative event where artists take risks they might not otherwise explore in 20-minutes explosive theatre bites.

FreshMeat2: DIY Theatre Fest
Lunenburg Pub & Bar, 14 Waller Street, Ottawa, K1N 9C4
October 17-19 and 24-26 doors 6:30, show 7pm
Tickets: $15/night, $25/weekend, $40/full festival pass.
Tickets available at door and via fresh.meat.theatre@gmail.com .